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beanarie · 7 months ago

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of course

in which the helicopter crashed with both our guys inside. inspired by this awesome post by @mooshkat

(tw: vomiting, heart issues, near death angst, biphobia mention)

Once the wave of agony subsides, and Tommy is reasonably sure he's done vomiting into the dirt, he blinks over at Evan appraisingly. "Is your arm broken or did your shoulder go out again?"

Evan grimaces and finishes tying off Tommy's splint. "Shoulder. And my hip's not feeling great. Cracked rib, maybe two. But of course you had to outdo me."

"Didn't do it on purpose." Tommy glares at the spot where his tibia poked through the skin, like he can intimidate the pain away. "Anyway you've got me on quantity."

"There's nothing else?"

"My head hurts," Tommy admits, "but there's not much we can do for that right now."

Evan leans in to compare his pupils. Tommy is very proud of himself for not flinching. "Dispatch had our location?" Evan asks, and instead of reminding him that he was there when they confirmed it, Tommy nods.

He knows he can't go to sleep, even if the leg would allow him. He finds a stick and starts tic tac toe. Evan chuckles and joins in.

He wins the next two games. Tommy blames his probable concussion.

Evan holds his bad arm tight around his midsection, but his eyes seem stormy for a different reason. "These people who hurt you in the past, what- what are their names?"

"Huh?" Tommy gives up on the game, scratching it out of the dirt. "You want a full list of legal names or just what I called them?"

"Was it Evan, for any of them?"

God, he's so transparent. Tommy laughs.

"Do you- do you judge everyone by who came before? Is that just what you do in a-all situations? One barista spilled coffee on you in 2011 and you pay for Starbucks with one of those grabby reacher things ever since?"

"Fuck's sake." Tommy doesn't even like Starbucks, but he doesn't say that.

Evan sort of shrugs before he remembers his shoulder with a wince. "It's not generally considered a sign of maturity. Ironic, I guess."

"Yeah, call me old. See where it gets you."

Evan brightens. "You're talking to me. I like my results so far."

There's something indefatigable about this man. Tommy can't help but surrender in the face of it, just a little. "How did you know I'd have to pinch hit for this fly along?"

"I didn't. I just hoped." His grin is just the slightest bit abashed. "Worst case scenario, get out of the engine for a day and I pump one of your coworkers for info."

"They have very little to pump," Tommy says. Evan and the codependent 118 are the aberration, and they're well aware of that. Tommy has great coworkers. They do their jobs and leave, with the exception of drinks once or twice a month. None of them gave him shit after the breakup. Few of them noticed. This is how most teams operate. Evan, however, looks surprised and a little sad. "What were you hoping to hear?"

"I don't know." Evan looks away, suddenly self conscious. "That you messed yourself up at least half as much as you did me."

Tommy rubs at his face. "I didn't mean to mess you up, Buck. Truly. We- It just ran its course. It doesn't reflect badly on you, or me. This just happens."

He looks upset at first, then calculating. "What if I hooked up with those Not-Evans?"

Tommy looks behind him, searching for something that makes sense. "What if you moved to the moon? I have no idea what you're getting at right now."

"Would I be experienced enough for you if I let them have a go? They were terrible for you, so it stands to reason they'll be terrible for me, too." He lifts a finger, his eyes lighting up in a way that turns Tommy's stomach. "Oh, I guess one or two of those might be women. They don't count. Some might be bi and married to women. Do they count as half? If I bag a threesome, is that like seventy-five percent? Do you give points for polyamory?"

Tommy feels about eighty years old, and not a fit eighty. "When did I say even one of those things?"

"The implications were pretty clear, Tommy. 'You're just young and excited. You don't know what you're feeling or how to interpret anything going on in front of you.'"

Tommy doesn't know what to say to that. It's not remotely what he meant, but he's never been good at communicating through panic.

"Did you love me?" Evan asks quietly. Tommy can't look him in the face. "It felt like you- like you did, but when you let me go like that, like chopping off the top bit of a carrot, it made me re- reevaluate everything I thought I knew about us."

The note of devastation in his voice almost tips him over, but ultimately what does it is the implication that Tommy made Evan lose faith in himself. He can't abide being responsible for that. "Of course I love you, Evan. How could I not?"

The tightness in his chest, that felt so much like raw emotion, intensifies, growing sharper. It's hard to breathe now, like sucking a milkshake through a coffee stirrer, and he realizes, something is very wrong. About as wrong as it could possibly be.

"Oh," he says. An attempt to inflate his lungs all the way makes his vision go sparkly at the edges.

"Tommy?"

Tommy drags his eyes up to meet Evan's. "S- Sorry, I-" I wouldn't have said any of those things if I knew. "Sorry. Evan." You deserve better than a fucking deathbed love confession.

A rough hand grasps his neck, slowing his descent to the ground. "No, hey. Hey hey hey. Tommy, we'll figure this out." Evan sniffles and tries to smile. His tears are falling everywhere. "You're okay. You're fine. Just keep- keep breathing."

The coffee stirrer is about a millimeter wide. Tommy can feel the muscles in his neck straining like he's deadlifting his own weight. Evan rips Tommy's shirt open and he swears floridly, miserably. They both know what this is; they've seen it in a hundred MVAs. Cardiac tamponade. When his heart gives out from the strain of all the blood surrounding it, chest compressions can be worse than useless. They could punch his ticket that much faster.

"Tommy," Evan says, pulling Tommy into his lap. The complaints from his splinted leg are distant, belonging to someone else entirely. Evan's voice is a ragged mess trying to piece itself together. His shoulder and ribs are probably killing him. "Don't run out again. You need to stay. Breathe."

Half a millimeter.

One quarter.

Tommy can't remember what comes after millimeter.

"That's it. I know it's hard, but keep trying. That's all I ask. Just try, okay? Look at me."

Micrometer? Is that it?

Evan's face is shadowed by the sun cresting over his shoulder. Tommy closes his eyes against the glare and is rewarded with a shake.

"Keep your eyes open. Stay with me. Just a little- little bit longer, please."

Fingers are running through his hair, lips are pressing against his forehead, and he thinks he can hear... sirens.

#bucktommy #911 abc #my writing #things by beanarie #there's a second part but it veered off to the left #and i'm not sure how to get back on course #so self contained for now!

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wikiangela · 9 months ago

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boyfriends flirting💖

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buckevantommy · 1 year ago

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the way tommy is being so respectful and so careful with evan not only bc it's his first relationship with a man but bc he really likes him so they're taking things slow (note: they didn't kiss hello or goodbye at the bachelor party even though no one else was around to see besides eddie who already knows they're together) and then buck surprises the fuck out of him with that hungry af public kiss and those thoughts tommy had about being gentle and sweet for evan's first time sometime in the future fly out the window with the stark realisation that this guy knows what he's doing - or at least knows what he wants - even if he's never done it with a man before and tommy gets this rush of like: oh, he's gonna ride me into the mattress

#and thus i present my theory that tommy didn't even notice the sootbeard bc he is kiss drunk and probably debauched #from more hallway or elevator kisses and his head is spinning with how this amazing man keeps surprising him....#tommy kinard #evantommy #bucktommy #911 7x06 #911 abc #fic fodder #.txt #need a fic. who's gonna write it? 🫠

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chimneyz · 7 months ago

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This was the last call Maddie expected, the last person that she thought would ever be on the other end of the line.

"911. What is your emergency?"

Maddie didn't know how many times she has repeated those words. Not that it mattered but she wondered some times. Wondered how many people she's actually helped, how many people she was the last person they ever spoke to.

On the other end of the line multiple alarms blaring were off aching Maddie's ears. Gusts of wind scream through making it hard to hear anything that is happening.

"911. Is anyone there?" Maddie's eyes narrowed her heart rate steadily increasing.

"Maddie is that you?" a man's voice piped up.

The blood in Maddie's veins grow ice cold, she knows that voice. She may not know that voice well but she knows that voice. That same voice that made her brother happy all those months ago, that same voice that became an important part in her brother’s life, that same voice that ultimately destroyed him.

"Tommy? W-What is going on? What happened?"

A mirthless laugh comes from the other line.

"Nothing happened yet, but it will. God I was really hoping someone else would pick up the line."

"Where are you?"

"Ummm, in the sky, but that won't last long. Helicopter is going down, nothing I can do..."

"Where are you Tommy? I-I can send help, you will get through this."

"No, I don't think I will, not this time."

Tears started pooling in Maddie’s eyes.

"Tommy don't say that, you don't know what is going to happen."

Silence.

"Maddie, can you do me a favor?"

"Of course."

"Can you make sure you're here when Evan hears this? He's on shift right now, so no point in calling him... I guess I could of left a voicemail but it's a little hard to think when you're falling to your death."

"Tommy you aren't going to die."

"Sure," Tommy chuckles "Then let's just say falling. It's hard to think while falling."

Tommy take a moment to breath.

"So I guess here is my message. Evan, I have been trying for weeks to figure out the right words, completely failing to find them. I guess now is as good a time as any, in case, well I guess you know already. I shouldn't have said what I said that night. I was just scared, scared of the future, scared that you would actually see me and not this version of me you have in your head. Probably could of used some better words that night to explain my self. You should of heard the earfull I gor from Eddie, he was -understandably- pissed. So I apologize for what I said, how things turned out. Hell even for calling you Buck. I was trying to distance myself from you but it came out cruel and uncalled for. That wasn't my attention. I didn't realize that subtracting my self from the equation, from us, would hurt you. Nor did I realize how much it would hurt me..."

Maddie pursed her lips as tears started streaming down her cheeks. She may have been angry at Tommy for everything but she was seeing a side of him she didn't expect.

"I guess what I want to say, what I am trying to say before I can't is; I love you Evan, I have for a while now and fuck dose it scare me. It scares me how hard I have fallen for you... and that I am sorry, I am so sorry how things have ended Evan."

Silence.

"Tommy?" Maddie finally piped up, her mouth dry.

"Yeah, still here."

"I am going to get you some help ok? And you can tell my brother everything you just said to me in person you got that Tommy?

"Ok," Tommy sighed, "But as a just in case will you give him this message, worse case scenario."

"There isn't going to be a worse case scenario.

"Please just promise me Maddie."

Maddie shudders through the tears, "Yeah ok I will."

"Thank you."

The alarms keep blaring into Maddie’s ears for what feels like forever. Then nothing. The line goes dead.

"Tommy?"

Silence.

#you can interpret the ending how ever you want to #bucktommy #bucktommy fic #911 #911 abc #911 ficlet #ficlet #evan buckley #tommy kinard #maddie han #mine #eds writes fics

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stagefoureddiediaz · 3 months ago

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So I am feeling insane about all the yellow and blue around Eddie in El Paso and so I am making it everyone else’s problem by writing a meta on the stills - it will be a bit of speculation based on my colour theory knowledge and the previous costuming of the show, but I always enjoy writing these and then seeing how close I was when we have full context - so I hope you all enjoy! Also - I got carried away and went on a deep dive so this is ridiculously long!! 😬

Firstly though we need to talk about his hair and the return to the helmet hair of yesteryear Eddie - the loss of the floppy floopy bit that broke free as Eddie danced around his living room and was front and centre as Eddie turned to look back at buck - gone - swept up into place with gel - this is El Paso Eddie - the army Eddie - the Eddie at war - protecting his head with a helmet in the form of his hair. It’s all about reverting Eddie and about protection and conformity and trying to fit his parents expectations. This is Eddie under siege and preparing to be under the same attack as before. Its not quite as rigid as we saw it in the begins scenes, there is still some softness to it - giving us a hint that Eddie is not that same person he was back then, and that he’s not got things quite as fixed down as he had before, but we likely won’t see a hair fall over his forehead unless he’s in a less fraught scene (video call with Buck maybe) or until he has dealt with Shannon’s ghost, Chris’s trauma, his own trauma and his parents (mom) fully. Only then can he be his true self and let his hair be free!

I obviously am screaming about the fact we have Eddie in a yellow toned shirt - it’s yellow ochre, brown and cream check and it’s being very loud! The check pattern is very clearly telling us that things are not going to to go well for Eddie in this scene - and in El Paso more widely based on the fact we see him in check pattern more than once in the stills - the blue check shirt also playing into the theme of change and that change not being easy. Check on out mains is usually ultimately a good thing - it’s about getting them off the path they are on and onto a new one - correcting a wrong course etc. So here to have Eddie in check and yellow (or blue) check at that is pretty much telling me that this is the show getting Eddie on the right path - that he’s been on the wrong one but now he is on the right one for him.

I’ve written extensively about how yellow and blue coding has been used by film and television since colour film and tv has been a thing - and how it became a thing due to the wizard of Oz - I’ve also written extensively about that film and 911 and about Eddie and the significance of yellow and him and also about the importance of Buck and blue - all these metas can be found linked on my pinned post if you want to give them a read!

But what is the colour meaning of yellow I hear you cry - well it has many meanings and it all depends on the shade of yellow we’re talking about - the shade and tone of any colour determines some of its meaning. Every colour can be warm or cool toned and can be bright or dull, rich or pale and all of those factors have connotations attached to them. The warmer brighter and or richer the colour the more positive meaning it tends to have (there are some exceptions such as a very bright green which is generally viewed as toxic or poisonous and has negative connotations attached to it despite sitting in the bright rich and warm toned spectrum!)

Yellow is a colour of communication, cheerfulness, it is connected to the logical part of the brain and is therefore a symbol of intellect, clarity, and perception. However it can also mean anxiety, sickness, fear and cowardice as well as impulsiveness and caution.

The scene in the Diaz kitchen is full of yellow - its everywhere and the lighting is yellow toned (at the cooler end of the yellow lighting spectrum) but the biggest thing is the walls being this pale yellow. Paler more pastel yellows are associated with the negative traits of yellow more than the positive ones - so malaise and sickness, anxiety, and cowardice. The fact the room is yellow and blue is one of the most interesting things to me as someone who was going on about the fact the kitchen was yellow and red back in season 5 when Eddie had that conversation with his dad.

As you can see in the two pictures below, the walls were a darker more ochre toned yellow with both a darker brown toned red (the cabinets) and a brighter red (the curtains). This is a real contrast to the paler yellow and the blue we now have in the Diaz kitchen and it all goes to prove that Both Ramon and Helena are meant to represent aspects of Eddie - Ramon Eddies heart and Helena Eddies head or mind.

Because Ramon is a physical representation of Eddie heart - so the red accents make complete sense for that scene. It’s a play on the heart - and the use of two different shades of red - one concentrated around Ramon and one around Eddie is all about playing on the concept of health v not healthy (we actually see the same thing in the previous scene in this kitchen - when Eddie arrives - Ramon is in front of the darker rend and the lighting is darker while Eddie is more brightly lit and the brighter red is around him) The darker more brownish toned red is around Ramon - a symbol of poor health - of deoxygenated blood - which has a browner colouring and its also the colour of drying blood. This is a play on time - missing out on things and on Ramon representing the old way of thinking for Eddie - basically a symbol that his upbringing was not a healthy one.

Whilst all the red around Eddie is much brighter and vibrant - blood full of oxygen is brighter red and where the brown toned red is symbolically closer to death the brighter red is more energetic and suggestive of life. The set design is literally playing on the theming around hearts and heart health that we saw connected to Eddie all season. It is helping to tell us that Eddies way is the right way for the future, especially as it is combined with the green foliage print on that red background - green being a symbol of growth, while the yellow walls are more positive toned because it is a richer brighter colour - indeed it actually is pretty much the same shade of yellow as Eddies yellow shirt - the one from the lasagne scene and the confessional scene (both of which come later - but that makes them all the more interesting!) that is Eddies shade of yellow and it is the first time we really see Eddie surrounded in some way by that particular shade of yellow. Along with the yellow cup sitting between Ramon and Eddie, it is just further proof for the yellow and Eddie theory and that it is not only a symbol of his underlying queerness, but of his truest self - at its healthiest.

He is able to forgive Ramon and move forward - vowing to be a better person - not for Chris, but for himself - that is huge growth for Eddie at that point in his arc so that yellow being there is key - the fact it follows through and transfers onto him at the stat of season 6 is indicative of that growth and embracing of self having stuck. The fact we then see it go backwards as s6 progresses (especially after Bucks death and resurrection but that is a meta for another day!) leading us into season 7’s insane events before we get the reappearance of the yellow (the same shirt) as Eddie tries to recapture that self growth - so that he can reach a point of being able to work through things with Chris - which is where we have reached now - Eddies still wearing the darker yellow - suggesting that growth is still there and part of who he is, but the paler yellow he is surrounded by now is indicative of the work he needs to do outside of himself

It is also worth noting the blue table runner that sits between Eddie and Ramon in this scene as well - because Ramon never touches the blue - but Eddie does

So to have the kitchen go from this darker, stronger more positive yellow to now become this pale and sickly yellow when we’re about to have Eddie dealing with Helena - who is a representation of Eddies mind - is very telling. We are playing on the idea that Eddies mental health is not great right now and that is what he needs to fix. The other thing to note about this yellow is that it is the same colour as the exterior of the Diaz house - as we saw in the begins episode mostly but also briefly in the background of the retirement party in 517 - its all playing into a permeating malaise engulfing Eddie - its always in his background - its always been lurking and hasn’t been confronted. So yes it’s yellow and that’s a good thing. But it’s a bit like the darker - navy- blues we kept seeing on Buck (and still do to a certain extent) when he’s following his colour but in the wrong direction compared with the lighter brighter blue when he’s on the right path.

The fact it is the kitchen - the heart of the home - is what makes the use of yellow and blue in combination espeically key here, because for me the yellow is likely going to be playing into the idea of cowardice on multiple fronts - that Eddie is not yet able to confront what he needs to, that Chris is not in a place where he is prepared to have the actual conversation he needs to have with his dad, that Helena and probably Ramon will be too cowardly to Suport Eddie and his needs - to recognise their own failings and mistreatment of Eddie in this situation. Whilst also calling back to the overall family trait of running away when faced with a situation you don’t like or know how to handle maturely (Chris gets some grace here as he is still a child and has learned a behaviour from his family!).

But we also have the blue is framing the windows (and being present in a lot of other places but its the curtains that are the most obvious blue in the scene) - windows are symbolic in and of themselves - they are connected with transition and perspective or obstruction and also as a source of illumination and we’ve seen the show using glass and windows (or even peep holes) to great effect - using glass as a barrier but also something that can be crossed and as a way of gaining perspective. The windows here are shrouded, but they let in a lot of light - they are illuminating - and therefore this scene is likely to be an illuminating one - most likely into the struggles that lie ahead for Eddie. But all the windows also suggest that he is entering a period of transition. The fact those things are surrounded by blue - a calming colour associated with honesty and commitment, security and protection, trust loyalty and support. It is also a conservative colour and can tend towards passiveness and avoiding confrontation.

In combination with the check that Eddie is wearing, I’m expecting this scene to end on a tense note and with Eddie not actively doing anything to resolve his issues - it feels very much like its the set up for Eddies arc and nothing close to a resolution in any form - its going to be about showing the audience all the things Eddie has to resolve before LA is a possibility again.

As for his shirt - its yellow ochre - along with the brighter toned shades of yellow it trends much more towards the positive end of the yellow spectrum - so the communication and logic, clarity and intellect and cheerfulness. In combination with the brown - which is one of the colours the show is using as an overarching theme this season - its telling us that Eddie is attempting to create stability and an new foundation from which to build his future. Brown is a colour of stability, foundations, enrichment, reliability, wisdom, support and honesty. It can also be seen a dull or boring as well as conservative, loneliness and isolation.

All things that apply to Eddie right now - the stability and foundation meaning comes from the earth being brown and it being where seeds are planted - bringing about new growth (but not actually being growth) - which is exactly what Eddie is trying to do in El Paso - he also thinks Chris has stability in El Paso and that has left him feeling isolated and alone. The other thing with this shirt (and the later blue one) is that this is very much the Eddie of old - this shirt and style - just go look at any of the Eddie flashback scenes - especially in Eddie begins and you will see a series of shirts just like it. Eddie does not wear check patterning all that often - we see it popping up from time to time in season 2, but then not again until we hit Eddie begins when we see lots of it - and then it disappears again until we get the blue and black check patterned shirt when he calls Marisol at the end of season 6. So basically its symbolic of his El Paso existence - its decreasing appearances throughout season 2 as Eddie adjusts and settles into LA shows that change and growth in him from the Eddie of El Paso we get to meet in Eddie begins who is wearing so much check and has his hair in this same style. The check is all but gone from his life - until he calls Marisol - when it reappears and proves that that is Eddie acting on old expectations - connected to El Paso - and therefore his parents expectations for him. So this yellow and brown shirt is all about signalling that Eddie is reverting back to who he was - whilst being on a new path and that he will be somewhat isolated in this scene, that his return to El Paso is about starting again - building from the foundation up, but that he is doing so by forcing himself back into the skin he wore before he moved to LA.

Ok on to the other things I have spotted in this scene firstly lets go back to the blue because it extends far beyond the curtains! Blue is Bucks colour and it’s always around Eddie - far more than any other character in the scene. There is the blue curtains I’ve already talked about, but there is also blue placemats and the dish towel Eddie is holding is blue striped. A lot of the little touches are blue - like the tiles above the sink or the background of the heart art above the door and the various blue jars we can see.

Amazon box still

Even the tape on the amazon box is blue coloured - and it’s teal/aqua when we see the other amazon product placement boxes (see the car sales still!) which suggests they deliberately chose the blue in this scene to help with the blue theming. Eddie is not the only one constantly surrounded by blue, but he is more than any other character in that scene from what we can tell from these stills, but he is the only one constantly in contact with something blue (that isn’t their clothing - not counting jeans or dresses etc here) - the amazon box, the dish towel, and the fact that the napkins are blue and Eddie is the only one with one on his lap (it swaps legs but this show doesn’t know continuity!!) the fun thing about that napkin is that with the yellow shirt it gives us a fun parallel to Buck (yes I am probably clowning a bit here, but go with me!)

Because my guess is this is the first scene we’re going to see Eddie with Chris, Helena and Ramon in together since Chris left at the end of 710 - when Buck was wearing yellow ochre trousers and a navy blue top. Who is now wearing a yellow ochre top and has something navy in his lap?? Yes - we have a reverse colouring going on here. This is Eddie having Buck close even in his absence - all the blue is a list Buck to a certain extent, but this napkin especially - its hidden - not that visible to the others, but Eddie has a touchstone with Buck through that napkin - it is the Eddie equivalent of Buck saying Eddies name 500 times in the last episode - and Buck is probably not going to get much of a mention here if at all in this scene - but we still have him present in some way through colour coding. The fact that its hidden under the table - its all about the suggestion that Eddie may end up feeling alone at that table, but he isn’t - Buck is there for him - not physically present, but always having his back even from 800 miles away - its also a play on the yellow/blue queer coding and the fact that Eddies feelings for Buck are currently hidden - but that fact we the audience can see that blue napkin is a low key nod to that fact that those feelings are there - along with the Buck watch being very visible and a connection to LA and the life he has given up.

Ok last thing from this scene is Helena being in fuchsia - have to admit when I saw her in that colour in these stills I laughed out loud becasue the colour fuchsia has some very specific colour meanings attached to is and they perfectly sum up Helena Diaz! It’s a colour of certainty, confidence, and strong beliefs, self willed and arrogant, controlling, manipulative, and opinionated. It does also have connections to nurture and maternal instincts.

So it is a colour that really helps to tell us who Helena Diaz is and what her motives are - especially in this scene, where we are likely to see much of that come into play - we see her seated on both sides of the table, and even though we have zero context right now, in the image below it is clear that her focus is on Chris and the hand on his shoulder feels more controlling - the fact that in these stills she is either always looking at Chris (even when Eddie is looking at her) or in contact with him physically and the only time we see her looking at Eddie is when he is on the other side of the room and his back is to he - making it clear where her maternal instincts lie.

Onto Chris and his very interesting colour coding in these stills. Chris does wear a fair amount of grey across the seasons of 911, but there are usually in t-shirt form and bearing a brightly coloured logo - which is always connected into Eddie or Chris’s arc in some way for the season and the bright colours of those means the grey is really there as a neutral background. But now we have him in that neutral grey - but with a black logo - its all much more washed out and muted than we’ve seen Chris in before now - and it carries on the theme we’ve seen in the video chats where his colours have been muted and washed out (and lots of that El Paso check!!)

The black logo, which is on his back rather than the front is the face of a big cat - a panther/puma most likely. Now there are several potential meanings to the use of this black cat/panther. There is a very famous tale by Edgar Allen Poe called ‘The black cat’ which is an allegory for self justification and the black cat is the prism through which the narrator explores the twisting of reality to fit the narrative one wants it to be. Its an exploration of Jungian psychology - which interestingly was heavily focused on the concept of repression - of ones self, personality and instincts - which when this repression of self builds up it is likely to explode in a destructive way (tell me this doesn’t;t sound like Eddies s7 arc I dare you!!) more generally black cats or panthers symbolise power, darkness, death and rebirth and resilience in many cultures. This suggests those are elements we will be seeing in Eddie and Chris’s arc. The concept of the death of their previous relationship with the rebirth of a new one, the play on Shannon’s death creating darkness in their family unit - which still persists - and the ultimate rebirth as a new family unit (also including Buck down the line!) and it also suggests the death and rebirth of the Diaz family more widely - so including Helena and Ramon. The resilience is also a key thing here - both for Chris and Eddie - they are both displaying that trait and it feels likely that it will continue to be one we see as a key part of their arc.

The neutrality of the grey is unemotional and detached and this plays into the idea of being closed off - of Chris being unavailable to Eddie at this point in time - emotionally and communicatively . It is also a pessimistic and indecisive colour which is also in keeping with the likely story arc we’re going to get and are two meanings that do speak to teenage behaviours and feelings. I think it’s a fascinating colour choice to grey Chris out and potentially make the scene more about Eddie, Helena and Ramon - with Chris present but not the thing we should be focused on in the scene.

This muting of Chris’s clothing is also on display in the stills on the veranda - and this costume is such a mini Eddie costume that it speaks volumes. The colour way is all Eddie - we have the brown trousers - which are check patterned, we have a cream tee (which has a logo of some sort on but I can’t see what it is from these stills!) and a hoodie jacket that is stitched in a denim jacket style but is a heavy weight jersey knit fabric and in a khaki green which is very much in Eddies colour wheel! The fact he is in muted colours that are straight out of the Eddie Diaz colour book and the fact he is also playing chess - its all about paralleling Eddie himself. Eddie has worn this type of green both as a piece of colour coding denoting his military past, but also as a sign that he’s at war with himself in some way - its most obvious display of this was his breakdown scene and his subsequent battle with his depression. Therefore this costume is reflective of him being like Eddie - it’s speaking of underlying unhappiness (and trauma), but it is also a play on running away - as his parents both did. Eddie is the stronger parallel for the obvious reason that he is the main character here not Shannon - plus the fact that Eddie went to war - making the addition of the game of chess a key part of the narrative and connection to Eddie. Chess is a game of war and strategy is suggestive of Chris being at war (the battle is internal) - which is caused by his trauma - but its also indicative that he has only been getting support on that front from Ramon - the act of him teaching Chris chess is a play on the idea of him teaching him coping strategies. It is placing Ramon in a much better position than Helena - at least Ramon is trying to help Chris - something established back in 8a and the only one we’ve been shown/ told is doing something with Chris that is an attempt to help him. Helena has just been shown posturing and talking a big talk (putting in a swimming pool) but none of that has been about Chris in reality.

The entire scene is intriguingly set up - in part because it appears to be at Eddies new house - his fixer upper - with its peeling green trim and doors and general run down appearance. We also see Eddie in a dark maroon/brown shirt - with no watch in sight - which is very telling to me at least - I’m undecided as to if its mean to indicate the lack of time, or if its absent because this scene will really start to dig into past Eddie and the relationship he has with his mom especially and therefore there is no need to play on time - we’ll find out when we see the episode. The maroon/ brown is yet more brown to add to the season colour theme, but its maroon undertones really fits it into the parental maroon colour theme the show uses with most characters, but especially with Eddie - the fact it is so brown toned is playing along similar lines to the reds in the kitchen from 517 - and that’s pushing me towards thinking that this scene will be doing something of the exploring Eddie being parentified by Helena (and Ramon) when he was a child himself that this is about fixing or starting to fix that part of things rather than it being centred on Chris. That it is about Eddie going back to the beginning to be able to correct and repair his present and future.

Helena is in a floral shirt and white and this pale blue that does have a slightly lavender undertone to it. Shes very much in contrast to Eddie here - her colours are cold and closed off and she sits in start contrast to all the colours around her - Eddies brownish maroon is in the same total pallette as the background - the house, the furniture and the wall hanging, even Chris and Ramon sit withing that colour pallette as well. But Helena - like her fuchsia cardigan from the previous stills, stands out from her surroundings. The blue being a cold tone makes it conservative and impersonal and also predictable, but the fact that it makes her stand out is the key here - its sets things up as her being the focus of the scene - both visually and most likely narratively. What these stills from both this scene and the kitchen one are doing is showing us that they are scenes focused on the Helena of it all - the major thing Eddie truly needs to deal with early on and that’s what is making me excited for this episode and these scenes. The visual framing is all set up ready to go - now we await the other aspects of a scene to reveal more!

Blue check Eddie with is yellow ochre toned binder and the yellow and blue colouring we can see - the cabinet, the flag in the background and the blue chair. It’s giving me calling Marisol shirt vibes from 618 and that’s intriguing to me considering that she turned out to be a former nun - the entire still is giving me either church or church school vibes, but it could also be a fire station and there is a character called assistant chief Jamie De La Cruz - so its entirely possible that it is some form of fire department building - it feels like its going to end up being a not great outcome for Eddie - along with the check pattern helping out on that front - if that’s not being offered a job or being offered one that is going to diminish him in some way who knows, but its not a positive looking set up on the visuals front!

Car lot still my beloved! There is literally soooo much in this one still for me to talk about - all the yellow and blue around Eddie is incredibly loud - literally everywhere - from the stickers on the the car windscreen behind him being predominately yellow and blue, to the light blue wall behind the chainlink fence and rthe blue cladding trim on the building to the left, you can include the yellow and blue bunting if you want to, but there is also pink red and green there so I’m not discounting it, but putting it much lower down in its relevance. And there is the fact that in the refelections in the Denali we can see lots of yellow and blue which I’m sure we’ll see more of in the actual scene. We seem to get a huge amount of yellow and blue colour coding around Eddie at locations connected to cars - especially this season with ‘No place like home’ giving us Eddie at Weston’s Dad’s motor shop with all its very very loud yellow and blue theming in an episode heavily colour themed with yellow and blue.

The fact that link to yellow and blue and cars exists in connection with Eddie and that it is also tied into parents and their children (because 504 also played on that same theme) is interesting to me (and not just because it is also tied into Hen’s arc - the main queer character on the show - and her parenting journey) because the fact this scene seems to be Eddie selling the Denali - a car heavily connected to Shannon and Eddies struggles with his grief ( as well as to Buck - in his bright blue fraying shirt jacket - and his own struggles with the grief of Eddie leaving) - i want to wait until I’ve seen the scene in full, but right now this scene is a really important one in terms of queer Eddie - not necessarily explicitly so, but very definitely in the subtext because this is Eddie letting go of his grief and therefore letting go of Shannon. But it also does one other thing - the play on the car name - Denali - with denial - its also a symbol of denial no longer being an option going forwards - for Eddie, or for Buck (the only other person we have seen in this truck).

And then we get to Eddies outfit in this still. Have I ever mentioned how much I love the wardrobe team - especially when they a repeat an outfit? And have I ever told you how much I love it when that outfit is repeated for a third or even 4th time? Because yes this is in fact the the 4th time we are seeing Eddie in this costume of a western style pearl popper button up denim shirt with dark olive khaki trousers and brown shoes!! Yes that’s s right - the 4th time!

Time no.1 - Abuela’s hospital room at the end of 204 we see Eddie by her bed as Carla brings Chris in to see Abuela - having started working for Eddie - after Buck introduces them. We don;t get to see much of the trousers in the scene, but you can see from this screenshot that the dark olive khaki trousers are there.

Time no. 2 - in Eddie begins we see Eddie fight with his parents and talk on the porch with Chris when they decide to move to LA - It’s also worth pointing out here that the yellow is the same as the yellow in the Diaz kitchen in the new stills. Same pants, trousers, white undershirt, slightly different but still brown boots and the same hand in the pocket vibe!

Time no. 3 - really hard to get a screen shot of this one because we don’t really see the pants and shirt together much, but you can see the pants in the below screen grab and take my word for it that its the same shirt - or rewatch the scene if you’re so inclind. This scene is the ‘welcome back to the land of the living Buck’ scene from 701

There are a few significant things at play here. Most of the scenes when we see Eddie wearing denim are connected to family in some way - Abuela, Shannon, and Buck, and the Diaz parents. Eddie doesn’t wear denim shirts all that much in the grand scheme of the show and that makes their use and particularly the use of a repeat outfit in this way particularlyy important. This outfit is essentially a symbol of being o the right track - on the right path, its s heavily connected to the idea of breaking free or moving forwards in some way. Carla is now there to help Eddie (thanks to Buck) so Eddie is able to fully settle into his LA life and is no longer at risk of proving his parents right - it’s freedom from El Paso and shows that LA is the right path for him - that accepting Bucks help and support is the right path as well.

The fight with Helena and Ramon and the subsequent conversation with Chris is about moving and escaping a situation that is holding you back, Eddie making that choice to move to LA and to not listen to his parents - again it is him on the right path.

The same can be said of the locker room scene with Buck. Buck was being held back by his death, but so too was Eddie. Death had changed their relationship (graveyard scene) and Buck dumping Natalia because all she talked about was death ultimately sets not only Buck free from his death, but Eddie free as well - they can both start living again - and ultimately what this scene is doing is resetting the Buck and Eddie of it all and putting them both on the right path - its about setting buddie in motion which is the longer term right path rather than a more immediate pay off right path (its also a symbolic nod to buddie being free of network restrictions and being allowed to happen with the move to abc).

So having Eddie wearing an outfit that is a symbol of breaking free and setting himself on the right path as he sells the car is likely about him finally breaking free of his grief and anger around Shannon and her death. Its about him finally being able to let her go so both he and she can move on (and Chris as well because Eddie clinging to her ghost has stopped him from grieving properly and has caused him trauma). I’m not saying this scene magically does all of that - just that it is the marker point for Eddie and sets him on his path to healing and moving on and in a more low key way is setting Eddie fully on his path to his feelings realisation that will be the culmination of his letting go of Shannon arc. It is a key indicator of Eddie’s story arc over this episode of the next couple of episodes.

Just to further add credence to this costuming choice. We do see this shirt pop up in season 4 - when Eddie introduces Ana to Chris as his girlfriend - the difference here is that the trousers are light tan rather than the dark olive green - it is an indicator that this path is not the right one - its not the entirely wrong path - as it is technically him trying to move on from Shannon, but its not the right path because he is doing it for Chris and not for himself - trying to provide that mother figure he thinks Chris needs.

And just to get even more unhinged about it we have the boating lake scene with Kim - which is a reverse of the repeat costume - the colours are right - we have the olive green and the dark denim, but its the western style popper button up shirt that is green with the dark denim jeans - its not the right way around and Eddie has got turned about and has taken the wrong path. That his pursuit of a woman who looks like his dead wife is not the way to go about dealing with your grief that you have failed to deal with up to this point. The colours are correct - suggesting that in the same way the wrong colours meant the wrong path for Ana - a minor setback in that instance, that this too is the wrong path - but that its one that will set him back much further!

I”m going to stop writing now - I have gone on far far longer than was my intent and I ended up on several side quests I did not expect to end up on - worthwhile ones as I got to deep dive into Eddies repeat outfit a bit more as well as explore the muting of Christopher and that he’s becoming a mini Eddie visually and really get into the colours of the Diaz kitchen - so all worth it im my book - hopefully you enjoyed it and found it interesting and worthwhile as well - let me know your thoughts in the tags and comments and as always thanks for taking the time to read my very long rambles. I can’t wait to see how it all ends up playing out in the episode!

Tagged people below!

@lover-of-mine @spotsandsocks @fruityfirehose @wanderingwomanwondering @livingwherethesidewalkends @buddiediaz118 @bewitchedbewilderedbisexual @satvojihusana @elvensorceress @icebergeddie @buckleyanddiaz @eddiedisasterdiaz @kejfeblintz @cookie-kat777 @leothil @bucksbelly @kyoteugly @bi-moonlight @somebodycall911onabc @trudayss @chaosandwolves @lemotmo @buckleyanddiaz

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fallen-lucifiel · 7 months ago

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#BUDDIE : Passenger Seat ✈️ | Story & Art by @fallen-lucifiel

Story is actually kinda old… written back in early September but since we got BT Bones in canon, thought I’d finish this one asap as a tribute! 💀

Posting the uncensored version here. Ngl I never looked at Tommy’s face so idk how to draw him so I just drew whatever I remember

Btw this is what Maddie was talking about!!

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jackabbot · 1 year ago

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BUCKTOMMY + first day of my life by bright eyes (x)(x)

#i didn't plan on another b&w set but here we are #also this all started with me writing bucktommy so idk how we ended up here again smh #evan buckley #tommy kinard #bucktommy #911 #911 abc #911edit #bucktommyedit #buckedit #my gif #edits*#911gifs #procgifs

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bucked-it-up · 1 year ago

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Thinking about Buck meeting tommy after being crushed by the fire truck, maybe they end up going to pt at similar times and tommy hears about how buck is trying to get back to firefighting as fast as possible. Buck hears about how Tommy got injured and needing to go to pt, they learn that they both have connections to the 118 and tommy tells buck of what it used to be like and buck gives tales of dramatic saves and family.

When tommy stops needing to go they exchange numbers and keep talking to one another which is how tommy hears about the recertification and then the embolism. He worries for buck after this and tries to cheer him up with random stories with offers of buck coming to his house. Tommy ends up being a lifeline for buck, someone who worries about him during the tsunami and was actively looking for him from his helicopter.

Tommy ends up being the person he goes to after he found out about Bobby keeping him from work, he storms into tommys house shaking with anger and pain and tommy gives him a space to be angry, to feel the pain. Maybe Buck doesn’t do a lawsuit, maybe he does but goes about it differently.

When buck does get his job back he tells tommy first and then in the emotions of it all tommy kisses him. He pulls back quickly scared of bucks reaction. All buck does he look at tommy, before pulling him back into a deeper kiss.

#bucktommy #evan buckley #tommy kinard #911 abc #winnie rambles #Idk how good but needed to write something

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adhdevankinard · 2 months ago

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911 two parter speculation: what if tommy and buck are in the helicopter together and tommy is shot in the arm (non-fatal ofc, ofc) and can’t fly and buck has to land the helicopter and tommy talks him through it and buck is like “you know, this isn’t how i imagined our flying lesson” and tommy goes “me too, kid”

#and then all they have left is muay thai 😌#im sure this has been done before #if there is a fic with this scenario pls share 🤲☺️#or else i will be forced to write it #btw i have no idea how helicopters work lol #911 speculation #911 #911 abc #tommy kinard #evan buckley #bucktommy #tevan #oli posts

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half-bakedboy · 1 year ago

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Number 2 from the 50 cliché tropes and prompts

Your shirt/jumper was in the laundry pile and I couldn't help but steal it

Buck never understood why he had lost so many sweatshirts and button-downs to past girlfriends. Nine times out of ten, they didn't even remotely fit their figure and they were only worn in the comfort of Buck's home anyways.

Then he started staying over Tommy's house more and more. He'd always come prepared–an overnight bag filled with an extra LAFD shirt, a pair of jeans, a pair of chinos, and two shirts, one with a collar and one without–just in case he needed to rush out in the morning.

This morning, he isn’t quite as prepared as he wishes he had been. Tommy’s in the shower after sleepily kissing Buck good morning and Buck promised he’d run Hercules–Tommy’s ten-year-old retired racing greyhound–outside before Tommy dropped Buck off at work. Thunder crashes outside and rain pounds on the roof, and Buck didn’t even think to bring a jacket.

He looks around the bedroom closet, careful not to invade the private space too much, but he doesn’t see anything that might help. He knows there’s an umbrella waiting beside the door, but he’s already shivering from the chill sneaking in through the closed windows and Buck knows he’ll need something to protect his skin.

Out of the corner of his eye, he sees a pullover laid neatly on top of the laundry pile. It’s similar to his LAFD one, but a lighter blue that matches Tommy’s on-duty uniform. It won’t keep him dry, but it’ll keep him warm and keep the water off of his skin which is all he has time to care about. He snatches it up and shouts to Tommy that he’s taking the dog outside even though he’s not sure he’s heard.

Before he gets too far, Buck pauses to get the pullover on. The first thing he notices is how much bigger it is on him. He’s not a small guy by any means, and he’s not much smaller than Tommy–at least he thinks–but there’s so much extra fabric that he has to bundle it up at his waist. He can also tell that the back doesn’t stretch taut against his shoulder blades and that the neckline slouches a little in the front.

It’s strange to wear something so unfit for him, but at the same time, Buck can’t help but feel giddy. He glances at himself in the mirror and feels small, but not in the way he usually does. It doesn’t make him feel inconsequential or overlooked, but like he’s protected and well-loved. It stirs inside of his stomach until the joy begins to bubble in his chest.

He notices that Tommy’s name is embroidered just over his heart, and he brings his fingers there to trace over the lettering. It takes everything in him not to whisper his name combined with Tommy’s last and he wonders if this was how his old girlfriends felt when they stole his LAFD shirts that had his name brazen on the back.

Where he expected to be a bit embarrassed at the claiming nature of it all, he can’t help but feel… powerful. Yeah, there’s something powerful about wearing someone else's name, like he’s screaming to the world that Tommy is off-limits because he’s Buck’s.

He’s Buck’s.

He’s too busy thinking about what exactly that means for him to hear the bathroom door open and a freshly showered and shaved Tommy emerge. Another figure beside Buck’s reflection startles him but Tommy’s reassuring hands slide around his waist. It’s strange how normal it feels to have strong, long arms wrapped around him and a broad chest waiting to hold him up as he leans back against it.

“You’re wet,” Buck says, feeling the dampness on Tommy’s unclothed chest. He’s in sweatpants like he’s ready to lounge around for the day, but the bare skin of his upper body is clearly on display where Buck’s body isn’t hiding it. He wants to pull away just so he can take another peek.

Tommy doesn’t seem to notice nor care that Buck is analyzing them because he’s too busy doing the same. There’s something in his eyes, though, that sends an eruption of warmth to Buck’s face. Tommy tugs at the extra fabric at Buck’s waist like he’s having the same realization as Buck did, and then he slides one hand up Buck’s chest to trace his name. He whispers each letter like a secret into Buck’s ear, piercing eyes never leaving Buck’s in the mirror.

Buck shivers, pressing back against Tommy and leaning his head back so that it plops on Tommy’s shoulder comfortably. Tommy finishes his name before dragging a finger to the neckline of the pullover and letting it hang there like a weight that keeps Buck grounded.

“You’re wearing my jumper,” Tommy points out like he doesn’t already know. Buck suddenly feels anxious, like he’s made a horrible mistake, and stands back up straight. He turns to look at Tommy as he speaks.

“Is that okay? I didn’t bring a jacket so I figured—”

Tommy kisses him before he can finish, and Buck can only hope it becomes a pattern.

It’s just as soft as their first kiss and every kiss they’ve shared since then, but it grows in passion second by second. Tommy is gripping the fabric at Buck’s waist like he’s deciding whether he wants to pull it over Buck’s head or leave it on his forever. Buck holds his naked shoulders, palms sliding down the hard planes of his chest then his abs, before sliding underneath the waistband of his sweatpants.

When a cold nose hits his hand, Buck jumps back, out of breath and startled. Hercules is staring up at them like he’s let them have their fun and he’s done waiting to go outside. Tommy swipes at his face as he chuckles and Buck leans down to pat Herc’s head.

“I’m sorry, Buddy. Am I stealing all of your dad’s attention?” Buck coos, and he can almost hear Tommy’s good-natured eye roll.

“Well, if Evan here is done distracting me, I’m sure he’d be more than happy to take you outside, huh?”

“Oh, if Evan is done distracting you? Like you didn’t just walk out of the shower half-naked and damp and looking like you wanted to drop to your kn–” Buck inhales deeply when Tommy glances down then back up and raises his eyebrows. “Alright, I’m out of here. Be right back,” he promises, pressing one last kiss to Tommy’s reddened lips.

“Mhm,” Tommy hums, watching him start to walk away.

“Do you want your pullover back?” Buck asks, because he figures that’s what he would’ve wanted to be asked.

“As far as I’m concerned, it’s yours now.”

It sounds a lot like I’m yours now, but Buck doesn’t dare ask. Instead, he takes Hercules out, ignoring the storm rumbling above him, and strokes his thumb distractingly against Tommy’s name over his heart. He guesses he’s Tommy’s now, too.

(now on ao3)

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